BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Stedley Art Foundation - ECPv6.8.3//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://stedleyart.com X-WR-CALDESC:Events for Stedley Art Foundation REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Moscow BEGIN:STANDARD TZOFFSETFROM:+0400 TZOFFSETTO:+0300 TZNAME:MSK DTSTART:20141025T220000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20210325T030000 DTEND;TZID=Europe/Moscow:20210922T030000 DTSTAMP:20260421T185345 CREATED:20220926T101926Z LAST-MODIFIED:20221013T091253Z UID:7837-1616641200-1632279600@stedleyart.com SUMMARY:Alexander Zhyvotkov. Tecum Veniam DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/tecum-veniam-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/Tecum-Veniam.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20200918T030000 DTEND;TZID=Europe/Moscow:20201025T030000 DTSTAMP:20260421T185345 CREATED:20220928T141401Z LAST-MODIFIED:20220929T064908Z UID:7932-1600398000-1603594800@stedleyart.com SUMMARY:Alexander Zhyvotkov. Keep the Roots DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/zhyvotkov-keep-the-roots/ LOCATION:YermilovCentre\, Svobody Place 4\, Kharkiv\, Ukraine\, Kharkiv\, Ukraine CATEGORIES:Exhibitions ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/IMG_5424-scaled.jpg ORGANIZER;CN="Stedley Art Foundation%2C YermilovCentre":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20200725T030000 DTEND;TZID=Europe/Moscow:20200820T030000 DTSTAMP:20260421T185345 CREATED:20220926T103219Z LAST-MODIFIED:20221014T050926Z UID:7850-1595646000-1597892400@stedleyart.com SUMMARY:Vitaliy Kokhan. Girlish DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/girlish-kokhan/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/Кохан.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20200623T030000 DTEND;TZID=Europe/Moscow:20200723T030000 DTSTAMP:20260421T185345 CREATED:20220926T104721Z LAST-MODIFIED:20221013T054459Z UID:7863-1592881200-1595473200@stedleyart.com SUMMARY:Mykola Trokh. Pornographic Series DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/pornographic-series-trokh/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/Trokh.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20191130T030000 DTEND;TZID=Europe/Moscow:20200618T030000 DTSTAMP:20260421T185345 CREATED:20220926T113650Z LAST-MODIFIED:20221013T054518Z UID:7876-1575082800-1592449200@stedleyart.com SUMMARY:Alexander Zhyvotkov. Tree of Life DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/tree-of-life-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/DSC_8411-2.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20181001T030000 DTEND;TZID=Europe/Moscow:20191119T030000 DTSTAMP:20260421T185345 CREATED:20220926T115344Z LAST-MODIFIED:20221013T054544Z UID:7885-1538362800-1574132400@stedleyart.com SUMMARY:Alexander Zhyvotkov. Tabulae DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/tabulae-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/20190827_161419_Popenko-scaled.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20180526T030000 DTEND;TZID=Europe/Moscow:20180927T030000 DTSTAMP:20260421T185345 CREATED:20220926T121718Z LAST-MODIFIED:20221013T054603Z UID:7906-1527303600-1538017200@stedleyart.com SUMMARY:The Eight. Part II DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/the-eight-part-2/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/8.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Moscow:20180421T030000 DTEND;TZID=Europe/Moscow:20180524T030000 DTSTAMP:20260421T185345 CREATED:20220926T122651Z LAST-MODIFIED:20221013T055052Z UID:7919-1524279600-1527130800@stedleyart.com SUMMARY:Anatolii Sumar. Self-Portraits DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/self-portraits-sumar/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/sumar-1.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20170902 DTEND;VALUE=DATE:20171206 DTSTAMP:20260421T185345 CREATED:20221014T074754Z LAST-MODIFIED:20221015T181858Z UID:9188-1504321200-1512442799@stedleyart.com SUMMARY:Vitaliy Kokhan. Time Capsule DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/capsule-kokhan/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/DSC_4390-2-scaled.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20170609 DTEND;VALUE=DATE:20170801 DTSTAMP:20260421T185345 CREATED:20221014T082021Z LAST-MODIFIED:20221017T112204Z UID:9240-1496977200-1501469999@stedleyart.com SUMMARY:Alexander Zhyvotkov. VENGEANCE IS MINE DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/vengeance-is-mine-zhyvotkov/ LOCATION:Stedley Dental Clinic\, 25/18 Hetmana Pavla Skoropatskoho Street\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/Image-615301130225b33abfe6b2a3-2.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20170511 DTEND;VALUE=DATE:20170523 DTSTAMP:20260421T185345 CREATED:20221014T083553Z LAST-MODIFIED:20221017T112121Z UID:9258-1494471600-1495421999@stedleyart.com SUMMARY:Lery Chanturia. Plastic Metaphor DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/plastic-metaphor/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/Image-414944101445912e3a061d56-1.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20170406 DTEND;VALUE=DATE:20170520 DTSTAMP:20260421T185345 CREATED:20221014T085749Z LAST-MODIFIED:20221017T112035Z UID:9272-1491447600-1495162799@stedleyart.com SUMMARY:Alexander Dubovik. Afflatus Diary DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/afflatus-diary-dubovik/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/Image-7-2.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20170218 DTEND;VALUE=DATE:20170508 DTSTAMP:20260421T185345 CREATED:20221015T181010Z LAST-MODIFIED:20221017T111932Z UID:9306-1487386800-1494125999@stedleyart.com SUMMARY:The Eight. Ukainian Avant-garde DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/the-eight-ukrainian-avant-garde/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/Image_33.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20161117 DTEND;VALUE=DATE:20170207 DTSTAMP:20260421T185345 CREATED:20221015T183046Z LAST-MODIFIED:20221017T111634Z UID:9326-1479351600-1486349999@stedleyart.com SUMMARY:Alexander Zhyvotkov. Anno Domini DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/anno-domini-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/IMG_2822_2.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20160924 DTEND;VALUE=DATE:20161118 DTSTAMP:20260421T185345 CREATED:20221015T184239Z LAST-MODIFIED:20221017T092810Z UID:9339-1474686000-1479351599@stedleyart.com SUMMARY:Alexander Sukholit. Trip to Egypt DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/trip-to-egypt-sukholit/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/IMG_4162_.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20160806 DTEND;VALUE=DATE:20160924 DTSTAMP:20260421T185345 CREATED:20221015T190921Z LAST-MODIFIED:20221017T092548Z UID:9353-1470452400-1474599599@stedleyart.com SUMMARY:Alexander Dubovik. Labyrinth of Meanings DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/labyrinth-of-meanings-dubovik/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/DSC_0560_.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20160614 DTEND;VALUE=DATE:20160804 DTSTAMP:20260421T185345 CREATED:20221015T192122Z LAST-MODIFIED:20221017T092431Z UID:9365-1465873200-1470193199@stedleyart.com SUMMARY:Natalia Lisova and Alexander Zhyvotkov. SYMBOLS AND SIGNS DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/symbols-and-signs-zhyvotkov-lisova/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/unnamed-file.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20160423 DTEND;VALUE=DATE:20160613 DTSTAMP:20260421T185345 CREATED:20221015T193133Z LAST-MODIFIED:20221017T092139Z UID:9382-1461380400-1465700399@stedleyart.com SUMMARY:Alexander Zhyvotkov. The Roads (2015–2016) DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/roads-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/9999.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20160227 DTEND;VALUE=DATE:20160423 DTSTAMP:20260421T185345 CREATED:20221016T191753Z LAST-MODIFIED:20221017T092016Z UID:9396-1456542000-1461293999@stedleyart.com SUMMARY:Hryhorii Havrylenko. A Radiant Image DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/havrylenko-radiant-image/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/IMG_5035_.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20151010 DTEND;VALUE=DATE:20160226 DTSTAMP:20260421T185345 CREATED:20221017T050747Z LAST-MODIFIED:20221017T091447Z UID:9425-1444446000-1456369199@stedleyart.com SUMMARY:Alexander Zhyvotkov. MOTHERBOARD DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/motherboard-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/IMG_0158_.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20150905 DTEND;VALUE=DATE:20151007 DTSTAMP:20260421T185345 CREATED:20221017T090805Z LAST-MODIFIED:20221017T091202Z UID:9506-1441422000-1444100399@stedleyart.com SUMMARY:Serhiy Panych. FORMATION DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/formation-panych/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/IMG_8559_.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20150725 DTEND;VALUE=DATE:20150905 DTSTAMP:20260421T185345 CREATED:20221017T130832Z LAST-MODIFIED:20221017T131105Z UID:9621-1437793200-1441335599@stedleyart.com SUMMARY:Alexander Sukholit. THE LAND DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/the-land-sukholit/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/MG_6328_.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20150418 DTEND;VALUE=DATE:20150727 DTSTAMP:20260421T185345 CREATED:20221017T135323Z LAST-MODIFIED:20221017T142620Z UID:9637-1429326000-1437879599@stedleyart.com SUMMARY:Mykola Kryvenko. Kryvenko’s Line DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/plastic-metaphor-2/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/IMG_1834.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20150123 DTEND;VALUE=DATE:20150322 DTSTAMP:20260421T185345 CREATED:20221017T140804Z LAST-MODIFIED:20221017T142613Z UID:9651-1421982000-1426906799@stedleyart.com SUMMARY:Alexander Zhyvotkov. The Roads (2014-2015) DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/the-roads-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/SAF-expo-11.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20141108 DTEND;VALUE=DATE:20141209 DTSTAMP:20260421T185345 CREATED:20221017T141536Z LAST-MODIFIED:20221017T143324Z UID:9662-1415415600-1418007599@stedleyart.com SUMMARY:Alexander Dubovik. 9 Gouaches DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/9-gouaches-dubovik/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/IMG_7168.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20140905 DTEND;VALUE=DATE:20141103 DTSTAMP:20260421T185345 CREATED:20221018T103139Z LAST-MODIFIED:20221019T165255Z UID:9706-1409886000-1414897199@stedleyart.com SUMMARY:Alexander Zhyvotkov. 2014 DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/2014-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/2014_1-scaled.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20140404 DTEND;VALUE=DATE:20140630 DTSTAMP:20260421T185345 CREATED:20221018T105845Z LAST-MODIFIED:20221019T165826Z UID:9721-1396580400-1404010799@stedleyart.com SUMMARY:Alexander Zhyvotkov. Direction to North-East from 'The Roads' series DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/direction-to-north-east-zhyvotkov/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/5-scaled.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20130622 DTEND;VALUE=DATE:20130812 DTSTAMP:20260421T185345 CREATED:20221018T113453Z LAST-MODIFIED:20221018T122113Z UID:9730-1371870000-1376189999@stedleyart.com SUMMARY:Exhibition in memory of Michael Weinstein DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/in-memory-of-weinstein/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/D3X_1385137400312551e59fb591884-scaled.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20120519 DTEND;VALUE=DATE:20120621 DTSTAMP:20260421T185345 CREATED:20221018T122819Z LAST-MODIFIED:20221018T123529Z UID:9744-1337396400-1340161199@stedleyart.com SUMMARY:STEDLEY ART FOUNDATION In parallel program ARSENALE 2012 DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/stedley_arsenale-2012/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/bx32549135267210850a0236ce5ff7.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20120210 DTEND;VALUE=DATE:20120312 DTSTAMP:20260421T185345 CREATED:20221018T124241Z LAST-MODIFIED:20221018T124344Z UID:9759-1328842800-1331434799@stedleyart.com SUMMARY:EXHIBITION IN MEMORY OF VAHAN ANANIAN DESCRIPTION:ABOUT \n \n \n \n Alexander Sukholit is an artist whose creations comprise the undertones of many artistic epochs. His searches of expressions are never chronologically consistent: having explored the Antiquity\, he dives into the archaic art\, the Paleolithic. After that\, he returns to Byzantine Empire and Christian iconography. However\, the knowledge he obtained can be traced only in subtle tones that complement the general narration of his works. Alexander Sukholit graduated from the institute in 1986. By that time\, he had become proficient in the Antique art. Alexander then turned to the more ancient art – that of Egypt. His “journey to Egypt” was based on the plastic perception of sculpture and relief. Sukholit studied the genuineness and liveliness of the Antiquity. After that be was drawn to the laconic plastics of the forms of Egyptian art. The view of the world of Egyptian artists is at the core of the mentioned plastics. They saw the purpose of their work not in representing the reality by means of art\, but in shaping the hidden essence of the depicted. The artists of the Ancient Egypt followed the canon dictated by the myth-based beliefs centered around the cult of the afterlife. The being and the appearance were “condensed” and subjected to the material – the stone. The form\, size\, colour and even the material were subject to a strict system of symbolic meanings. The art in Ancient Egypt connected the Earthy reality with the mythical and otherworldly. However\, Alexander Sukholit often says: “I am not an Egyptian man”. During his “journey”\, he borrowed only the artistic language. The mythology of Egypt was and remains strange to him. Some of his works created in late 80s can only formally be classified as “Egyptian” and these include the subtle reliefs carved out in plaster or marble blocks. The depictions on them are quite laconic and the sculptural form is created just by a line. Speaking about a line\, the artist notes that it should be drawn in such a way to make the background unnecessary. A contour carved out in a stone\, a drawing emerging from a form are Sukholit’s images. These artworks demonstrate how subtle the difference between a relief and a drawing is. As the artist himself notes\, “… When a drawing finishes\, a relief starts…” \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SELECTED GALLERY URL:https://stedleyart.com/exhibition/in-memory-of-ananian/ LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine CATEGORIES:Exhibitions,WHITE SPACE ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/8_.jpg ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com END:VEVENT END:VCALENDAR