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X-WR-CALDESC:Events for Stedley Art Foundation
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TZID:Europe/Moscow
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TZOFFSETFROM:+0300
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DTSTART:20170101T000000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20241105T000000
DTEND;TZID=Europe/Moscow:20250115T180000
DTSTAMP:20260815T154253
CREATED:20241031T093456Z
LAST-MODIFIED:20241223T093940Z
UID:27871-1730764800-1736964000@stedleyart.com
SUMMARY:Worlds of Oleksandr Aksinin
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/worlds-of-oleksandr-aksinin/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2024/10/Aksini-fb_1.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20240924T110000
DTEND;TZID=Europe/Moscow:20241020T180000
DTSTAMP:20260815T154253
CREATED:20240922T155253Z
LAST-MODIFIED:20241107T121025Z
UID:27696-1727175600-1729447200@stedleyart.com
SUMMARY:KRAING. VITALII KRAVETS
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/kraing-vitalii-kravets/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2024/09/Зелена-трава-АФІША-СТЕДЛІ-фб-scaled.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20240817T050000
DTEND;TZID=Europe/Moscow:20240915T060000
DTSTAMP:20260815T154253
CREATED:20240813T110112Z
LAST-MODIFIED:20241107T133921Z
UID:27249-1723870800-1726380000@stedleyart.com
SUMMARY:Oberig. Margaryta Zhurunova and Bohdan Lokatyr
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/amulet-zhurunova-lokatyr/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2024/08/фб-scaled.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20240716T110000
DTEND;TZID=Europe/Moscow:20240809T180000
DTSTAMP:20260815T154253
CREATED:20240411T112350Z
LAST-MODIFIED:20240813T113756Z
UID:26915-1721127600-1723226400@stedleyart.com
SUMMARY:Dzenia. Halyna Zhehulska
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/dzenia_zhehulska-3/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/png:https://stedleyart.com/wp-content/uploads/2024/07/dzenia_scaled.png
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20240517T110000
DTEND;TZID=Europe/Moscow:20240519T180000
DTSTAMP:20260815T154253
CREATED:20240711T143713Z
LAST-MODIFIED:20240711T143824Z
UID:27162-1715943600-1716141600@stedleyart.com
SUMMARY:Olexandr Glyadyelov. FAREWELL OF SLAVIANKA
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/glyadyelov-farewell-of-slavianka/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2024/04/glyadyelov_ukraine005-scaled.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20240307T110000
DTEND;TZID=Europe/Moscow:20240331T193000
DTSTAMP:20260815T154253
CREATED:20240221T111439Z
LAST-MODIFIED:20240328T124943Z
UID:26496-1709809200-1711913400@stedleyart.com
SUMMARY:Alexander Zhyvotkov. The Sacred Tablets of Ukraine
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/the-sacred-tablets-of-ukraine/
LOCATION:Galleria Cavour municipal gallery\, Piazza Cavour\, Padua\, Italy
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2024/02/1.jpg
ORGANIZER;CN="Stedley Art Foundation in cooperation with the municipality of Padua - Department of Culture":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20240126T110000
DTEND;TZID=Europe/Moscow:20240225T210000
DTSTAMP:20260815T154253
CREATED:20240124T094118Z
LAST-MODIFIED:20240128T175955Z
UID:26263-1706266800-1708894800@stedleyart.com
SUMMARY:Exhibition project for the International Holocaust Remembrance Day "RAW WOUND"
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/raw-wound/
LOCATION:Exhibition pavilion ‘Living Memory’ (BYHMC)\, Yuriy Illenko Str 46A\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2024/01/photo_5283010658746618565_y.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20231117T110000
DTEND;TZID=Europe/Moscow:20240114T180000
DTSTAMP:20260815T154253
CREATED:20231117T124733Z
LAST-MODIFIED:20231226T222346Z
UID:25531-1700218800-1705255200@stedleyart.com
SUMMARY:Alexander Sukholit. When the Wind Returns
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/when-the-wind-returns/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2023/11/9_DSC_8245-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20230919T000000
DTEND;TZID=Europe/Moscow:20231112T000000
DTSTAMP:20260815T154253
CREATED:20230914T153050Z
LAST-MODIFIED:20231004T144104Z
UID:25068-1695081600-1699747200@stedleyart.com
SUMMARY:Kostiantyn Zorkin. Lullaby
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/kostiantyn-zorkin-lullaby/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2023/09/Lullaby-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230801
DTEND;VALUE=DATE:20230912
DTSTAMP:20260815T154253
CREATED:20220608T080055Z
LAST-MODIFIED:20230904T130419Z
UID:8858-1690858800-1694401199@stedleyart.com
SUMMARY:Serhiy Zhyvotkov. Postlude
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/serhiy-zhyvotkov-postlude-2/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2023/07/2-DSC_9698-scaled.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20230608T000000
DTEND;TZID=Europe/Moscow:20231001T000000
DTSTAMP:20260815T154253
CREATED:20230726T152258Z
LAST-MODIFIED:20230726T152258Z
UID:25062-1686182400-1696118400@stedleyart.com
SUMMARY:Alexander Dubovik. The Standoff…
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/the-standoff/
LOCATION:East Slovak Museum\, Hrnčiarska 7\, Kosice\, Slovakia (Slovak Republic)
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/dubovik-afisha-fb-event.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230506
DTEND;VALUE=DATE:20230911
DTSTAMP:20260815T154253
CREATED:20230501T124053Z
LAST-MODIFIED:20230501T125937Z
UID:24352-1683331200-1694390399@stedleyart.com
SUMMARY:Kaleidoscope of (Hi)stories. Ukrainian Art 1912–2023
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/kaleidoscope-of-histories-ukrainian-art-1912-2023/
LOCATION:Albertinum\, Tzschirnerplatz 2\, Dresden\, 01067\, Germany
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2023/05/csm_Maria_Siniakovasaf.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20230317T230000
DTEND;TZID=Europe/Moscow:20230409T190000
DTSTAMP:20260815T154253
CREATED:20230312T152119Z
LAST-MODIFIED:20230512T102838Z
UID:23930-1679094000-1681066800@stedleyart.com
SUMMARY:Alexander Zhyvotkov. Altar
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/alexander-zhyvotkov-altar/
LOCATION:National Center “Ukrainian House”\, Khreshchatyk 2\, Kyiv\, Ukraine
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2023/03/Altar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230213
DTEND;VALUE=DATE:20230411
DTSTAMP:20260815T154253
CREATED:20230212T112141Z
LAST-MODIFIED:20230227T160706Z
UID:23217-1676246400-1681171199@stedleyart.com
SUMMARY:Alexander Zhyvotkov. Tocsin
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/alexander-zhyvotkov-tocsin/
LOCATION:Galerie Saint-Séverin\, 4 Rue de Pretres Saint-Séverin\, Paris\, 75005\, France
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2023/02/Tocsin__web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20220801T030000
DTEND;TZID=Europe/Moscow:20220919T025900
DTSTAMP:20260815T154253
CREATED:20220918T191027Z
LAST-MODIFIED:20230221T125554Z
UID:8344-1659322800-1663556340@stedleyart.com
SUMMARY:Alexander Dubovik. Premonition
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/alexander-dubovik-premonition/
LOCATION:National Center “Ukrainian House”\, Khreshchatyk 2\, Kyiv\, Ukraine
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/114A4608-1536x1024-1.jpg
ORGANIZER;CN="Stedley Art Foundation%2C Bouquet Kyiv Stage":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220708
DTEND;VALUE=DATE:20230304
DTSTAMP:20260815T154253
CREATED:20220701T051521Z
LAST-MODIFIED:20230227T155647Z
UID:283-1657249200-1677812399@stedleyart.com
SUMMARY:Alexander Zhyvotkov. REVELATION
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/revelation-alexander-zhyvotkov-2/
LOCATION:Edem Foundation\, Strilky\, Lviv Oblast\, Ukraine\, Lviv\, Ukraine
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/07/Revelation_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20211128
DTSTAMP:20260815T154253
CREATED:20190604T055223Z
LAST-MODIFIED:20221014T051056Z
UID:480-1634266800-1637981999@stedleyart.com
SUMMARY:Alexander Dubovik. THE SIGNS
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/alexander-dubovik-the-signs/
LOCATION:YermilovCentre\, Svobody Place 4\, Kharkiv\, Ukraine\, Kharkiv\, Ukraine
CATEGORIES:Exhibitions,Invitation
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2019/06/DSC_3944.jpg
ORGANIZER;CN="Stedley Art Foundation%2C YermilovCentre":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20210903T030000
DTEND;TZID=Europe/Moscow:20210926T030000
DTSTAMP:20260815T154253
CREATED:20220926T095028Z
LAST-MODIFIED:20221014T051135Z
UID:7816-1630638000-1632625200@stedleyart.com
SUMMARY:Alexander Dubovik. Self-portrait
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/self-portrait-dubovik/
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/Дубовик-Основи.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20210816T030000
DTEND;TZID=Europe/Moscow:20211231T030000
DTSTAMP:20260815T154253
CREATED:20221010T172915Z
LAST-MODIFIED:20221014T051217Z
UID:8494-1629082800-1640919600@stedleyart.com
SUMMARY:Mykola Trokh. Enfant Terrible of Ukrainian Photography
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/enfant-terrible/
LOCATION:Stedley Dental Clinic\, 25/18 Hetmana Pavla Skoropatskoho Street\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,STEDLEY DENTAL CLINIC
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/DSC_6655.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210811
DTEND;VALUE=DATE:20220207
DTSTAMP:20260815T154253
CREATED:20190606T054320Z
LAST-MODIFIED:20221014T050236Z
UID:690-1628650800-1644116399@stedleyart.com
SUMMARY:Pinsel\, Ołędzki\, Zhyvotkov. CATHARSIS
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/catharsis-pinsel-zhyvotkov/
LOCATION:The National Sanctuary Complex “Sophia of Kyiv”\, Volodymyrska street 24\,\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/24DSC_4913-переснять.jpg
ORGANIZER;CN="Stedley Art Foundation%2C Bouquet Kyiv Stage":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210626
DTEND;VALUE=DATE:20210712
DTSTAMP:20260815T154253
CREATED:20190531T050808Z
LAST-MODIFIED:20221014T050947Z
UID:277-1624676400-1625972399@stedleyart.com
SUMMARY:Kostiantyn Zorkin\, Sandro Garibashvili. THE HILL
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/the-hill-kostiantyn-zorkin-sandro-garibashvili/
LOCATION:Residence Open Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2019/05/Зоркін.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20210325T030000
DTEND;TZID=Europe/Moscow:20210922T030000
DTSTAMP:20260815T154253
CREATED:20220926T101926Z
LAST-MODIFIED:20221013T091253Z
UID:7837-1616641200-1632279600@stedleyart.com
SUMMARY:Alexander Zhyvotkov. Tecum Veniam
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/tecum-veniam-zhyvotkov/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/Tecum-Veniam.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20200918T030000
DTEND;TZID=Europe/Moscow:20201025T030000
DTSTAMP:20260815T154253
CREATED:20220928T141401Z
LAST-MODIFIED:20220929T064908Z
UID:7932-1600398000-1603594800@stedleyart.com
SUMMARY:Alexander Zhyvotkov. Keep the Roots
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/zhyvotkov-keep-the-roots/
LOCATION:YermilovCentre\, Svobody Place 4\, Kharkiv\, Ukraine\, Kharkiv\, Ukraine
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/IMG_5424-scaled.jpg
ORGANIZER;CN="Stedley Art Foundation%2C YermilovCentre":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20200725T030000
DTEND;TZID=Europe/Moscow:20200820T030000
DTSTAMP:20260815T154253
CREATED:20220926T103219Z
LAST-MODIFIED:20221014T050926Z
UID:7850-1595646000-1597892400@stedleyart.com
SUMMARY:Vitaliy Kokhan. Girlish
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/girlish-kokhan/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/Кохан.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20200623T030000
DTEND;TZID=Europe/Moscow:20200723T030000
DTSTAMP:20260815T154253
CREATED:20220926T104721Z
LAST-MODIFIED:20221013T054459Z
UID:7863-1592881200-1595473200@stedleyart.com
SUMMARY:Mykola Trokh. Pornographic Series
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/pornographic-series-trokh/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/Trokh.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20191130T030000
DTEND;TZID=Europe/Moscow:20200618T030000
DTSTAMP:20260815T154253
CREATED:20220926T113650Z
LAST-MODIFIED:20221013T054518Z
UID:7876-1575082800-1592449200@stedleyart.com
SUMMARY:Alexander Zhyvotkov. Tree of Life
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/tree-of-life-zhyvotkov/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/DSC_8411-2.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20181001T030000
DTEND;TZID=Europe/Moscow:20191119T030000
DTSTAMP:20260815T154253
CREATED:20220926T115344Z
LAST-MODIFIED:20221013T054544Z
UID:7885-1538362800-1574132400@stedleyart.com
SUMMARY:Alexander Zhyvotkov. Tabulae
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/tabulae-zhyvotkov/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/20190827_161419_Popenko-scaled.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20180526T030000
DTEND;TZID=Europe/Moscow:20180927T030000
DTSTAMP:20260815T154254
CREATED:20220926T121718Z
LAST-MODIFIED:20221013T054603Z
UID:7906-1527303600-1538017200@stedleyart.com
SUMMARY:The Eight. Part II
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/the-eight-part-2/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/8.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20180421T030000
DTEND;TZID=Europe/Moscow:20180524T030000
DTSTAMP:20260815T154254
CREATED:20220926T122651Z
LAST-MODIFIED:20221013T055052Z
UID:7919-1524279600-1527130800@stedleyart.com
SUMMARY:Anatolii Sumar. Self-Portraits
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/self-portraits-sumar/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/09/sumar-1.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170902
DTEND;VALUE=DATE:20171206
DTSTAMP:20260815T154254
CREATED:20221014T074754Z
LAST-MODIFIED:20221015T181858Z
UID:9188-1504321200-1512442799@stedleyart.com
SUMMARY:Vitaliy Kokhan. Time Capsule
DESCRIPTION:ABOUT				\n				\n				\n				\n							\n			\n		\n						\n				\n				\n				\n									“Farewell of Slavianka” – that’s the title the photographer and music lover Oleksandr Glyadyelov chose for his photo exhibition. The march with the same name was written in 1912 and quickly became one of the prominent melodies\, still performed at military parades of the Russian army. Instead\, from the early 1970s to the mid-2000s\, trains to Moscow from various cities across the post-Soviet space\, including Kyiv\, Kharkiv\, as well as from Simferopol and Sevastopol\, departed to this music\, and this tradition still exists today. To the sounds of “Farewell of Slavianka\,” military echelons still depart from Russian train stations\, and today this music is heard more and more frequently. Over the past 30 years\, this melody has become a kind of soundtrack to the imperial ambitions of modern Russia. Oleksandr Glyadyelov was born in 1956 in the family of a Soviet military officer in the Polish city of Legnica. Later\, due to his father’s service\, he moved to Kaunas\, then to Belarus\, and then to Ukraine\, where he settled and went to school at the age of 7. The melody “Farewell of Slavianka” has fundamentally changed its meaning for the author over the past decade – from a victorious march of the Second World War era\, it has turned into an accompaniment to military aggression\, occupation\, destruction\, and mass casualties among the civilian population. For many of us\, these are difficult times that require deep analysis and reconsideration of the symbols of an entire era\, sometimes accompanied by internal contradictions and a struggle to accept a new reality. The documentary photographs presented in the exhibition were taken over the past three decades during military conflicts in Chechnya\, Azerbaijan\, Tajikistan\, in Donbas\, and during the full-scale invasion of Ukraine. In all these wars\, the Russian army was involved directly or through hybrid methods. But besides the purely conventional war\, there is also a war of symbols\, where every image\, every photograph\, and every note carry special meaning and deep significance\, often intertwining with it. 								\n				\n				\n				\n							\n			\n		\n						\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																	\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					SELECTED GALLERY
URL:https://stedleyart.com/exhibition/capsule-kokhan/
LOCATION:White Space\, Bohdana Khmelnytskogo 62B\, Kyiv\, Ukraine
CATEGORIES:Exhibitions,WHITE SPACE
ATTACH;FMTTYPE=image/jpeg:https://stedleyart.com/wp-content/uploads/2022/10/DSC_4390-2-scaled.jpg
ORGANIZER;CN="Stedley Art Foundation":MAILTO:info@stedleyart.com
END:VEVENT
END:VCALENDAR