WHITE SPACE

It is almost impossible to write about Liza Kremnytska without mentioning Pavlo Bedzir—especially when speaking of Liza’s black-and-white graphics, which remain largely unknown to the wider circle of admirers of her work. Pavlo—her lawful husband (they were married in 1952) and a teacher-experimenter—used to say among friends, “My Liza,” reminiscent of the Mona Lisa.